1화 · 0:00~1:04

The Awakening of the Lantern Knight

25컷 · 높이 32158 px

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Lanterne alone in an overexposed white void with no horizon. Medium shot, waist up, facing the viewer, arms at his sides, the torn beige cape lifting to the right in a slow wind. Small white petals drift across the frame. His colours are washed out, as if remembered.

Two or three small white lily petals drifting across a plain, empty, overexposed white. Nothing else: no ground, no horizon, no figure.

Macro on white lilies filling the whole frame: open trumpets, curled white petals, orange-red stamens, pale green stems, the edges of the frame softly out of focus, white light behind.

A vast field of white lilies under a blown-out white sky. Lanterne stands small at the left in the middle distance, seen from behind at three quarters, facing right. Far to the right and a little higher, on a low rise of lilies, a tiny figure faces him: Rose, in a grey-green hooded cloak, pink hair. Lilies in soft focus in the foreground.

Close on the back of Lanterne's lantern helmet and his pauldrons, seen strictly from behind, slightly off centre; ahead of him, out of focus, the pale field of lilies under a white sky, with a faint pink and grey-green speck far away on the rise: Rose.

Big close-up of Rose against a white sky: short pink bob hair moving in the wind, the white flower in her hair on the viewer's right, large soft eyes looking straight at the viewer, small closed mouth, hood down on her shoulders. A single white petal crosses the foreground, out of focus.

Low insert among the lilies: the lace hem of Rose's cream dress and her small feet standing between white lily blooms, seen from knee height. White light, soft focus in front and behind.

Extreme wide: a rounded hill entirely covered in white lilies under a blown-out white sky. At the summit, a speck: Rose, cloak and pink hair. At the base of the hill on the left, another speck: Lanterne, facing the hill. Lilies in soft focus in the foreground.

Extreme close-up on the side of Rose's head: the white flower tucked in her pink hair above her left temple, strands of pink hair moving in the wind, one petal lifting away from the flower. Plain white sky behind.

Medium close-up of Rose, waist up, among the lilies against the white sky: grey-green hooded short cloak fastened at the collar over the cream dress, pink bob hair, the white flower in her hair on the viewer's right, lips just parted as she speaks, eyes on the viewer.

나를 찾아줘.

Near-total darkness. A tall black panel; at the very bottom, a faint cold cyan haze, like light seen from far above through mist. Nothing else is drawn.

Extreme wide of a vast underground sanctuary in deep blue and black. Pale cyan light falls in long beams from high above through mist; twisted black roots frame the left edge and the top; glowing blue mushrooms and pools of cold light along the stone floor; thin ground mist. Far in the middle distance, tiny, a long stone altar with an armoured figure lying on it.

Medium shot at root level: in the foreground a pale translucent segmented larva-like creature, softly glowing from inside, crawls along a thick black root that crosses the frame diagonally. Behind it, out of focus, the stone altar with Lanterne lying on it in blue light, small mushrooms glowing on the floor.

Detail of Lanterne's steel gauntlet over a black glove resting on the carved stone lid of the altar, palm down, fingers slightly apart; beside the hand, one small blue glowing mushroom; cold blue light from above, thin mist.

Low wide shot along the stone altar from its foot. Closest to the viewer, two dark armoured sabatons rest on the carved stone lid. Above and beyond, an immense ornate circular rose window glows cold cyan and white, its tracery like a mandala, ice-like stalactites hanging from the vault around it; beams of light fall from it onto the altar; carved stone walls in deep blue on both sides.

Wide side view of the altar at floor level: the long stone altar runs across the frame, Lanterne lying on it with the helmet to the left and the beige cape hanging over the edge; huge blue mushrooms in the foreground, roots overhead, thin mist.

The rose window fills the frame, seen from below: a great circular tracery glowing cold cyan, stalactites around it, the light growing brighter as if the window woke.

High close shot on the lying knight from above the altar: helmet to the right, the two small dark eye holes, the cream scarf, the engraved pauldrons, one gauntlet along the body. A first pale beam touches the metal.

Wide from the floor among big glowing mushrooms: the altar far and small in the centre, beams of light now falling hard on it, mist along the ground.

Side view along the altar: the whole lying body from the sabatons on the left to the helmet on the right, tall beams of light behind, the cape hanging off the slab.

Close on the torso: blue light spreads through the armour, the seams of the chest plate and the joints glow cyan, a pauldron dark in the foreground; the glow pulses brighter and brighter.

Frontal: Lanterne sits up brusquely toward the camera, torso and joints glowing bright cyan, arms braced on the stone, white lilies falling in the foreground; the glow fades as he freezes upright.

Frontal medium, sitting on the altar, the glow gone: the hollow helmet turned to the camera, arms down, hands on the stone, mushrooms and roots behind.

Frontal medium, still seated: he lifts his right gauntlet in front of his chest and looks at it, the helmet tilting toward the hand.

Side view, close: he bends forward over his knees, the helmet pointing down at his own body, the cape sliding over his back, one gauntlet flat on the stone, the other at his chest.

각 컷이 존재하는 이유

엔진의 각색 노트: 각 컷이 나온 영상의 샷과 그 역할.

출처: 1화, 0:00.0부터 1:03.8까지 · Scene-cut detection and 2 fps frame sampling on the 640 px proxy, subtitle tracks for dialogue timing, screenplay for intent.

비트 b1 · White · 0:00.0 → 0:04.4

Install the memory: a knight alone in a white nowhere.

컷 1 · p01샷 s01 · 0:00.0 → 0:04.4 · medium · 4:5 · 1350px · 영상의 샷과 일치
The first image of the series: a hollow knight standing in white. Opening on him, not on the world, makes the white read as his state rather than as a place.
컷 2 · p01b샷 s01 · 0:00.0 → 0:04.4 · void · 3:2 · 420px · 두 샷을 잇는 컷
A breath of white between the knight and the lilies: a few petals crossing an empty panel carry the wind of the previous case downward. Nothing happens here, the page only keeps falling.

비트 b2 · The lilies · 0:04.4 → 0:11.2

From a flower to a field: reveal the second figure and the distance.

컷 3 · p02샷 s02 · 0:04.4 → 0:06.3 · detail · 3:2 · 720px · 영상의 샷과 일치
A close insert on the lilies: the only warm colour of the sequence, and the flower the field will be made of. It also breaks the scale before the wide shot.
컷 4 · p03샷 s03 · 0:06.3 → 0:11.2 · extreme_wide · 9:16 · 1920px · 영상의 샷과 일치
The film pulls focus from blurred lilies to the two figures; here the scroll does it. A tall panel makes the distance between Lanterne and Rose a distance the thumb has to cross.
컷 5 · p03b샷 s03 · 0:06.3 → 0:11.2 · close_up · 16:9 · 608px · 같은 순간, 새로운 구도
The counter-shot the film implies: from behind Lanterne's helmet, the field ahead out of focus, so the eye travels toward Rose before her close-up. Same moment as the wide shot, new framing.

비트 b3 · Find me · 0:11.2 → 0:20.6

Rose looks, stands, is far, and asks the one thing she asks.

컷 6 · p04샷 s04 · 0:11.2 → 0:12.9 · close_up · 4:5 · 1350px · 영상의 샷과 일치
Rose's face, silent. She looks before she speaks; the reader meets her eyes with nothing to read yet.
컷 7 · p05샷 s05 · 0:12.9 → 0:13.9 · detail · 16:9 · 608px · 영상의 샷과 일치
A beat of ground: the hem of her dress and her small shoes in the lilies. It says she is really standing there, small and unprotected, before the hill shows how far.
컷 8 · p06샷 s06 · 0:13.9 → 0:16.9 · extreme_wide · 9:16 · 1920px · 영상의 샷과 일치
The widest shot of the sequence: a whole hill of lilies with two specks on it. The upper half of the panel is empty white, so the scroll spends time in nothing before the line.
컷 9 · p06b샷 s07 · 0:16.9 → 0:20.6 · extreme_close_up · 16:9 · 608px · 같은 순간, 새로운 구도
A detail before the only line: the white flower in her hair and a petal lifting from it. It slows the page so that Find me lands alone in the next case.
컷 10 · p07샷 s07 · 0:16.9 → 0:20.6 · medium_close_up · 4:5 · 1350px · 영상의 샷과 일치
The only line of the sequence. Waist-up so the panel is not a repeat of p04: the cloak, the lilies and the parted lips carry the moment.

비트 b4 · Black · 0:20.6 → 0:22.6

The memory ends. Two seconds of nothing, rendered as distance.

컷 11 · p07b샷 s08 · 0:20.6 → 0:22.6 · void · 9:16 · 1100px · 두 샷을 잇는 컷
The two seconds of black become a tall, almost empty panel: the eye falls with the page, and a first cold glow at the bottom announces the sanctuary without showing anything of it.

비트 b5 · The sanctuary · 0:22.6 → 0:36.3

The present: a vast blue silence, an altar, a knight who has not moved yet.

컷 12 · p08샷 s09 · 0:22.6 → 0:25.5 · extreme_wide · 9:16 · 1920px · 영상의 샷과 일치
After the black fall, the present: the sanctuary in one tall panel. Light enters at the top and the reader travels down the beams to the altar, the way the film's eye does.
컷 13 · p09샷 s10 · 0:25.5 → 0:27.6 · medium · 3:2 · 720px · 영상의 샷과 일치
The first living thing: a pale larva crawling along a root toward the altar. A small panel keeps the world quiet and shows the scale from close by.
컷 14 · p09b샷 s10 · 0:25.5 → 0:27.6 · detail · 16:9 · 608px · 같은 순간, 새로운 구도
A slow travel along the body before the sabatons: his steel gauntlet resting on the stone, one mushroom glowing beside it. It stretches the stillness the film holds with its camera move; nothing new happens.
컷 15 · p10샷 s11 · 0:27.6 → 0:31.3 · wide · 4:5 · 1350px · 영상의 샷과 일치
The last image of the segment: the rose window above the knight's feet. Light on a body that has not moved; the awakening begins right after, so the strip ends on expectation.
컷 16 · p11샷 s12 · 0:31.3 → 0:36.3 · wide · 3:2 · 720px · 영상의 샷과 일치
The sanctuary at his level: the altar seen from the floor among the mushrooms, before anything happens. It sets the axis the awakening will play on.

비트 b6 · The light · 0:36.3 → 0:48.3

The window wakes: light falls on the altar and enters the metal.

컷 17 · p12샷 s13 · 0:36.3 → 0:39.8 · wide · 4:5 · 1350px · 영상의 샷과 일치
The window wakes. Filling a whole tall panel with the rose window, brighter than at 0:29, tells the reader that the light is the event.
컷 18 · p13샷 s14 · 0:39.8 → 0:41.3 · close_up · 16:9 · 608px · 영상의 샷과 일치
From the window straight down to him: a high close shot where the first beam touches the metal. The reader looks at him the way the light does.
컷 19 · p14샷 s15 · 0:41.3 → 0:43.8 · wide · 4:5 · 1350px · 영상의 샷과 일치
Back to the floor: the beams now fall hard on the tiny altar. A tall panel so that the light has room to fall.
컷 20 · p15샷 s16 · 0:43.8 → 0:45.5 · full · 16:9 · 608px · 영상의 샷과 일치
The whole body under the light, from the feet to the helmet, in one calm horizontal line before the light enters him.
컷 21 · p16샷 s17 · 0:45.5 → 0:48.3 · close_up · 4:5 · 1350px · 영상의 샷과 일치
The light enters the metal. The only panel where the armour itself glows: cyan lines running along the seams, held close so that the reader feels it before the shock.

비트 b7 · He sits up · 0:48.3 → 0:54.0

The shock of the awakening, then the emptiness after it.

컷 22 · p17샷 s18 · 0:48.3 → 0:52.0 · medium · 4:5 · 1350px · 영상의 샷과 일치
The shock. He sits up bolt upright toward the reader, glowing, lilies falling: the loudest panel of the strip, full bleed, one hard SFX.
컷 23 · p18샷 s19 · 0:52.0 → 0:54.0 · medium · 4:5 · 1350px · 영상의 샷과 일치
After the shock, nothing: he sits, the glow gone, the hollow helmet turned to us. The reader meets him awake for the first time.

비트 b8 · Black · 0:54.0 → 0:56.0

A second breath of black, shorter.

비트 b9 · His hands · 0:56.0 → 1:03.8

He discovers his own body: a hand, then the chest.

컷 24 · p19샷 s21 · 0:56.0 → 0:59.8 · medium · 4:5 · 1350px · 영상의 샷과 일치
After the second black: the first gesture. He raises his right hand and looks at it. The screenplay's 'he looks at his hands, he does not understand' in one image.
컷 25 · p20샷 s22 · 0:59.8 → 1:03.8 · medium_close_up · 3:2 · 720px · 영상의 샷과 일치
He bends over himself and touches his chest. The segment ends on the question the whole episode asks: what is inside.